Intersections I, II & III, (aquatint & drypoint, intaglio, relief stencil), 2017.
Ruum I/II, (tusche etching, aquatint, intaglio and relief stencil), 2017.
Folded up, (aquatint, intaglio & drypoint), 2017.
Artist in residence for Streeton Prints exhibition.
ARTIST RESIDENCY 19 April – 24 April, 2017. In conjunction with the Streeton Prints exhibition at Queenscliff Gallery & Workshop.
Queenscliff Gallery & Workshop - QG&W & Residency at QG&W
Perspective lines, (installation detail), 2016.
Tiled documentation (installation detail), 2016.
Chromatic at Queenscliff Gallery & Workshop
Exhibition Dates: November 3 to 28.
Creatures at Queenscliff Gallery & Workshop
Exhibition Dates: October 5 to 31.
Lettered print exchange. Part or the 2016 Queenscliffe Literary Festival.
Queenscliff Gallery & Workshop http://qgw.com.au/product-category/lettered/
Between and Beyond explores links between the body, architecture and the object. It considers the body as the landscape where the architecturally inspired work is sited and connects to its surrounds. Justine Austen and Andrew Weatherill create artwork that explores the relationship between man-made forms and environment. Austen is a contemporary jeweller and Weatherill has trained in fine art printmaking. Their artworks attempt to push the boundaries of these traditional art practices through the building of interactive installations and virtual environments.
Off the Kerb http://www.offthekerb.com.au 2015.
Pool in green, 2014, lithograph with screen printing, 560mm (h) x 760mm (w).
Ruum II/II, (tuscge etching, aquatint, intaglio and relief stencil), 2017.
Tu Nite, (tusche etching, aquatint, intaglio), 2017.
Parallel Visions an exhibition exploring the ephemeral nature of looking, (tusché etching, intaglio and relief print, with photographic lens), 2017.
Painted room, (installation detail), 2016.
Monocular Vision I (installation detail), 2016.
Mater of Fine Art 2016 Graduation Exhbition
23 November 6pm to 9pm
RMIT University, Building 49, 67 Franklin Street, Melbourne.
Out of the Matrix
Using the premise of the matrix, from which all prints emanate, Out of the Matrix showcases a group of artists who activate an expanded understanding of print practice. Curated by Dr Richard Harding, Senior Lecturer of Print Imaging Practice at RMIT, the intention of this exhibition is to evoke an extended sense of history the RMIT printmaking studio generates as much as evidence its present agency within the wider print community. All practitioners in this exhibition have a connection to the RMIT printmaking studio either as staff or alumni. Oscillating between analogue, digital and spatial positions this exhibition privileges and extends print practice highlighting the universal nature of printmaking today.
RMIT Gallery 344 Swanston Street, Melbourne, Victoria.
making the un aims to document the experience and process of making work. It is a bringing together of materials that activate the gallery space to investigate how the viewer relates and interacts to the individual artists work. The un denotes the absence of a state. Sometimes it is necessary to unmake in order to create a resolved artwork.
Rubicon ARI http://rubiconari.com.au
Artists: Nick Hackett, Kaitlyn Gibson, Oliver Hutchison and Justine Austen.
Curator and artists: Andrew Weatherill.
Flotsam + Jetsam, 2013, First Site Gallery, RMIT University.
Shifted Vision, Edition of 9, Print size: 19(h) x 38(w)cm
Medium: Aquatint & drypoint, intaglio